Wednesday, June 5, 2019

Sin and Redemption in Dr Faustus

Sin and Redemption in Dr FaustusMarlowes play The tragic story of Doctor Faustus is an interpretations of a popular Ger objet d finesse legend, about a historical person, a man who called himself Dr. Johann Faust. Marlowe wrote a tragic story of the warlock, who sold his someone to the devil.Keeping intact all the important episodes of the legend, as set out in the edition of the German popular book about Faust, the poet has given the legend a completely different meaning.Faust in the tragedy do by Marlow is much comparable his literary predecessor, still otherwise the playwright interprets three main problems in the image of Faust the problem of choosing between bully and evil, the problem of honest and unfair knowledge, and the problem of saving souls. (Hatta dash 1970).Marlowe in his play gives a new perspective on sin, redemption and faith. Thisplay offers a new way of looking at sin, repugn traditional look upons of right and wrong, while during the play readers may wond er whether or non Fausts sins ar truly wrong.The sin of Faustus and his reckoning for giving the soul to the devil.At the beginning of the play the pen shows that Faust was disappointed in philosophy and human thoughts medicine also was not so powerful, because it could not give throng immortality Law was near of contradictions and was nonsensical.Couldst thou make men to live eternally,Or being dead, raise them to life again,Then this profession were to be esteemed.Even the theology was not the answer to the Faustus questions, and only the fantasy of the books attracted him.These metaphysics of magicians,And necromantic books are heavenlyLines, circles, letters, characters.Ay, these are those that Faustus most desires.A sound magician is a demi-god.Here, tire my brains to shoot for a Deity. Enter Wagner. (Marlowe , 1.1)Good nonpareil persuades Faust to not read the call down books full of temptations, which bring upon Faust the wrath of the Lord.Good nonsuch O Faustus, l ay that damned book aside,And gaze not on it least it tempt thy soul,And heap Gods baleful wrath upon thy head.Read, read the scriptures that is blasphemy.But Evil Angel, by contrast, incites Faust to do magic and to understand all the secrets of natureEvil Angel Go forward, Faustus, in that famous artWherein all natures treasure is contained.Be thou on flat coat as Jove is in the sky,Lord and Commander of these elements.Then comes Mephistopheles, andFaustus wants Mephistopheles to serve him and perform all his desires, only when Mephistopheles serves Lucifer only . SoFaustus decided to recognize the autonomous ruler of Lucifer the lord of darkness and lord of spirits.Faustus explains that he chooses black magic because of a introduction of profit and delight,Of power, of honour, of omnipotence,that Is promised to the studious artisanAll things that guide between the quiet polesShall be at my command. Emperors and kings atomic number 18 but obeyed in their several provinces. Nor can they raise the wind or rend the clouds.But this rule that exceeds in thisStretcheth as far as doth the mind of manA sound magician is a demi-god.Here tire, my brains to beget a deity. (Marlowe, 1.1.)When Faust hesitates, Good Angel tries to persuade him to leave evil magic, and return to God, but Evil angel gives him the musical theme of wealth and fame, and Faustus saysWealth? why the signory of Embden shall be mine.When Mephistophilis shall stand by me,What power can hurt me? Faustus, thou art safe.Cast no more doubts Mephistophilis. (Marlowe, 2.1)And bring glad tidings from great LuciferStay, Mephistophilis, and tell me,What good bequeath my soul do thy Lord?Good Angel advises Faustus to repent and trust in the mercy of the Lord. Evil Angel is confident that God impart not take pity on such a great sinner, however, he is confident that Faust will not repentEvil Angel Ay, but Faustus never shall repent.Faustus My heart is hardened I cannot repent.Scarce can I name salv ation, faith, or heaven.To entertain Faust, Mephistopheles leads Devils to give Faust crown, rich clothes and dance in front of him, and then removed.Faust asks Mephistopheles about hell.Mephistopheles saysHell hath no limits, nor is circumscribed,In one self tooshie, but where we are is hell,And where hell is there mustiness we ever be.And to be short, when all the world dissolves,And e rattling creature shall be purified,All places shall be hell that is not heavenWell, Faustus, thou shalt thrust a wife.He fetches in a woman devil.Later Faustus saysWhen I behold the heavens then I repentAnd curse thee wicked Mephistophilis,Because thou hast deprived me of those joysIf heaven was made for man, twas made for me.I will renounce this magic and repent.Good Angel Faustus, repent yet God will pity thee.Evil Angel green art a spirit God cannot pity thee.Faustus Ay, go, accursed spirit, to ugly hell.Tis thou hast damned upset Faustus soul.Ist not too late?Evil Angel Too late.Good Angel Never too late, if Faustus will repent.Faustus My heart is hardened I cannot repent.Scarce can I name salvation, faith, or heaven.Swords, poison, halters, and envenomed steel,Are laid in front me to dispatch my self,And long ere this, I should have done the deed,Had not sweet pleasure conquered deep hopelessness.Faustus O, Christ my Savior, my Savior,Help to save distressed Faustus soul. (Marlowe, 2.2.)Lucifer Faustus blames for the fact that Faustus violates the word and thinks about Christ, but Faustus vows that it will not happen again.Lucifer shows Faust seven deadly sins in their true guise in front of him are Pride, Greed, Wrath, Envy, gluttony, laziness, and profligacy.Faust wants to assemble hell and back again andLucifer promises to show him hell, and yet gives Faustus a book to read and learn how to take any(prenominal) look.Then after the journey Faust is on the verge of death and condemned to burn in hell forever. He was advised to remember God and ask him for cleme ncy, but Faust realizes that he is no forgiveness, he sold his soul to the devil and the day of reckoning is near. Faust wants to have time to repent and be saved, but the clock strikes, holloa rumbles, lightning flashes, and the Devils led Faust away.The idea of Faustus sin must show readers take a lesson from the tragic fate of Faust, and not to seek the knowledge of the protected areas of science, which tempt man and teach to do evil.Well, gentlemen, though Faustus end be suchAs every Christian heart laments to think on,Yet for he was a scholar, once admiredFor wondrous knowledge in our German schools,Well give his mangled limbs due burial.And all the students clothed in mourning black,Shall wait upon his heavy funeral. (Marlowe, V)The image of Faustus as a sinnerMarlow tells the story of Faustus, who sacrificed world pleasures for the sake of eternal salvation, in order to get knowledge of sciences, and offers a new way of looking at the idea of sin.The play is written as a ki nd of tragedy, where Dr. Faustus is presented as a rebel against an oppressive morality that is the traditional soak up of sin, which would condemn Faustus for his contract with the devil in exchange for knowledge. Marlowe with great sympathy showed disappointment of Faustus in contemporary science and philosophy, his desire to learn the deepest secrets of nature. He showed despair of the heros, who started an unequal fight with the indestructible divine authority, and the figure of Faust was lit with charm and tragic courage.In a capertic image created by Marlow, Faustus is rarifiedized, more merely he has those potentials, which were concluded in the legend and were reflection of significant progressive ideological movements of the Renaissance the emancipation of the human mind from the medievalChurch tenet and the human will and behavior of the medieval ascetic morality.In the first monologue Faustus expresses humanistic concept of the indomitable spirit unlimited personal fr eedom, eternal possibilities of learning about the universe, mans power over the world. Inspired by this ideal, Faust with a sense of frustration sums up the achievements of modern science it has a small, insignificant aims, full of selfish spirit.When Faustus turns to the Scriptures he sees dogmas that are incompatible with the humanistic ideal, as it belittles the man because of original sin.The ideal of the church is alien to Faustus as it contradicts with his belief in the value of personal rights.Characteristically for Faust, a man of the XVI century, which sharply criticizes the Bible and Christian theology, he at the same time wants to become like God, draws his ideal in the Bible paints.If you people could give immortalityOr the dead to life again appeal to (Marlowe 1.1.)The hero of the play is presented to the audience not as a fairy tale hero, but as an ordinary man, whose extraordinary strength is in his mind and senses.The victory of freedom and persons talents over a h ostile world is a dream of the scientist-humanist, but the playwright is not so much concentrated on Fausts dream of itself, but on its impact on his blameless spiritual life.Excited monologues of Faustus (where he does not saturated from school scho finisic science turns to magic in search of unearthly wisdom, which he yearns with all his heart, or speaks to the ancient image of Helen as the ultimate in sensual, earthy beauty) show personal experiences of the author and modern features of that time.Dr. Faustus is the philosophical and psychological drama, and the author the reaches greatest senior high school of artistry when portraying the hero in moments of intense meditation, in moments of ecstasy, despair, doubt.The image of Faustus lacerations are shown in a fantastic picture of conversation with the devil, with dramatic wizardry and significance of internal suppressions of FaustusFaustus Where are you damned?Mephostophilis In hell.Faustus How comes it then that thou art o ut of Hell?Mephostophilis Why, this is Hell, nor am I out of it.Thinkst thou that I who saw the face of GodAnd tasted the eternal joys of heaven,Am not tormented with ten thousand hellsIn being deprived of everlasting bliss?O Faustus, leave these frivolous demands,Which strikes a terror to my fainting soul. (Marlowe, 1.2.)Faustus wants to have the opportunity to repeat the biblical miracles, and by signing a contract with the devil, Faustus compares himself to Christ. In the tragedy of Fausts journey into the demonic the author shows the stages of psychological development of the hero, and is not a true story.When the black magic passes into the real life, romantic pathos of narrative disappears, giving place to the irony, farce playfulness, where the only magic is a trick. Faustus spells do not have any intrinsic magical power, and miracles that Faust makes, after he sold his soul to the devil, are depicted with deliberate irony.Faustus What art thou, Faustus, but a man condemnd to die?Thy fatal time draws to a final endDespair doth drive discredit into my thoughtsConfound these passions with a quiet sleepTush, Christ did call the thief upon the CrossThen rest thee, Faustus, quiet in conceit.Regardless of magic, spells and curses, even before meeting with Mephistopheles Faustus was shown as a rebel, the enemy of God. Curses, the struggle of good and evil angels for the soul of Fausts, contract with Lucifer and meeting with Mephistopheles all this is a psychological drama of Faust, the gradual realization of the depth of the discontinuity of his ideals to the prevailing divine authority, to the consecrated religious moral code, and so with society, where religion was considered a ground of state and was deeply grow in the minds of the vast majority of people.The attitude towards sin in the playThe main claim of the author is that seeking knowledge is not a sin.The author shows a new morality, and the idea of sin in this morality does not coincide with effor ts to attain the knowledge. (Davidson, 1996)This new morality is that a man does and should search for knowledge, but without sacrifices and sin. Faustus can search for new knowledge over the limits of traditional values and assumptions, but should not be seen as a sinner. But when Faustus reaches the end of quick-witted thought and dont know where to go next.It is important to note the fact that Faustus struggles with the idea of being a metaphysical being if men cannot become as God, cannot have the superior knowledge that God has, so how can God forgive the sins of such wicked people?Faustus was warned and asked to confessO, gentle Faustus, leave this damned art,This magic, that will charm thy soul to hell,And quite bereave thee of salvation.Though thou hast now offended like a man,Do not persever in it like a devil.Yet, yet, thou hast an amiable soul,If sin by custom grow not into natureThen, Faustus, will repentance come too late,Then thou art banished from the sight of heaven No mortal can express the pains of hell.There is a view that a sin can only be redeemed with confession and penance, and by asking God for his mercy, every man will find the forgiveness he needs in order to be redeemed. As Redemption is a deliverance from ones sins, mercy and forgiveness can be achieved through Confession and Penance. But Faustus believes his soul belongs to him, and he sells it, having sinned against God, that is why he is not unredeemable as he himself believes. He saysIf we say that we have no sinWe deceive ourselves, and there is no truth in us.Why then, belike, we must sin,And consequently die.Ay, we must die an everlasting death.Faustus understands that he cannot be saved as he does not believe in God as a God of love rather, he views God as a Deity of power. He cannot comprehend the power of Gods forgiveness and mercyO, if my soul must suffer for my sin,Impose some end to my incessant pain.Let Faustus live in hell a thousand years,A hundred thousand, and at l ast be saved.No end is limited to damned soulsRedemption in the play follows the Renaissance belief that salvation comes through faith. Faustus retains the Gods offer of forgiveness until the very end, and every time he considers repenting, he is stopped either by himself or by the devil, convinced his sin was too great. (Davidson, 1996)The lesson of the importance of faith is mere(a) for the redeem Faustus needs faith, and belief that God will forgive him of his sin then he can be saved. But Faustus does not repent, so he does go to hell, and joins the other lost souls in Hell.The conclusion is that because Faustus has lack of faith in God, it keeps him from being redeemed and going to Heaven.ConclusionThe Tragedy of Dr. Faustus challenges the traditional idea of sin and shows that redemption comes only through faith. The image of Faustus as a sinner is an example of the process search for the truth, that each person goes through, as readers see in Faustus struggle to accept God, or to reject God.Marlow shows the readers two important ideas the first is that going over the limits of an authoritarian society and searching for knowledge is not sinful and the second is a view that redemption is attained through faith , so it is important never to lose faith in God.

No comments:

Post a Comment

Note: Only a member of this blog may post a comment.